{"title":"New Arrivals","description":"","products":[{"product_id":"the-carrier-bag-theory-of-fiction-by-ursula-k-le-guin","title":"THE CARRIER BAG THEORY OF FICTION By Ursula K. Le Guin","description":"\u003ch6\u003e\n\u003cmeta charset=\"utf-8\"\u003eINTRODUCTION BY DONNA HARAWAY\u003cbr data-mce-fragment=\"1\"\u003eIMAGES BY LEE BUL\u003c\/h6\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eThe Carrier Bag Theory of Fiction\u003c\/em\u003e, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003evisionary author Ursula K. Le Guin\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003etells the story of human origin by redefining technology as a cultural carrier bag rather than a weapon of domination.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\" dir=\"ltr\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHacking the linear, progressive mode of the Techno-Heroic, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ethe Carrier Bag Theory of human evolution proposes:\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e‘before the tool that forces energy outward, we made the tool that brings energy home.’ \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrior to the preeminence of sticks, swords and the Hero’s killing tools, our ancestors’ greatest invention was the container: the basket of wild oats, the medicine bundle, the net made of your own hair, the home, the shrine, the place that contains whatever is sacred. 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We are taken on a journey through the eyes of the artist and spellbinding words of Kathryn Lyster.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003e- A PACIFIC day dream.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eImagery, collage \u0026amp; Illustrations by Ming Nomchong, words and poetry by Kathryn Lyster.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eEdited by Anna Hutchcroft, design by Lora Ward.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003ePublished by: Good Publishings \u0026amp; Ming Nomchong.\u003cbr\u003e1st edition limited print run.\u003cbr\u003eCover: Hardcover\u003cbr\u003ePages: 208\u003cbr\u003eEdition of 500\u003c\/p\u003e","brand":"BACTERIA BOOKS","offers":[{"title":"Default Title","offer_id":43724746096857,"sku":"","price":169.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/2562\/6073\/products\/BacteriaBooks_Pacific_MingNomchong.jpg?v=1674629463"},{"product_id":"marble-in-metamorphosis-rachel-cusk-chris-kontos","title":"Marble in Metamorphosis — Rachel Cusk \u0026 Chris Kontos","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMarble in Metamorphosis\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003econtemplates the physical and cultural life of marble. It explores the ethics, politics and symbolism of its use and deliberates over the spirit of the material and why some cultures so revere and desire it. In reflecting on the deep relationship between marble and human culture, it considers the social and historical function of the material throughout time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem data-mce-fragment=\"1\"\u003eMarble in Metamorphosis\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003efeatures a new essay on marble and its uses written by acclaimed novelist and writer Rachel Cusk, who – while on a trip to a marble bearing island in Greece’s Aegean sea – writes on the modern notion of classicism, the fate of monuments through history and the tension between classicism and realism in art and architecture. 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These photographs tell a story of extraction, craft, tradition, and how meaning is made and remade through marble as a material in the city.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ePublished by Molonglo\u003cbr\u003eSize: 21 x 14 cm\u003cbr\u003ePages: 144\u003c\/p\u003e","brand":"BACTERIA BOOKS","offers":[{"title":"Default Title","offer_id":43742417027289,"sku":"","price":48.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/2562\/6073\/products\/BACTERIABOOKS_MarbleinMetamorphis_RachelCusk.jpg?v=1677130232"},{"product_id":"modern-love-by-constance-dejong","title":"Modern Love By Constance DeJong","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eWhile every generation wrongly believes that it invented sex, millennials uniquely believe that they invented the ‘sad girl.’ Read the first page of any contemporary novel written by an up-and-coming MFA graduate that is marketed as ground-breaking, vulnerable, and necessary, and you can immediately expect to strap yourself in for three-hundred plus pages of disappointing sex and complicated histrionics. It’s humbling then, to realise that all of this was done earlier and done better. Before there was Kathy Acker, before there was Chris Kraus, before there was Ottessa Mosfegh, there was Constance de Jong. “Everywhere I go, I see losers” de Jong begins, and so kick-starts a kaleidoscopic novel jumping between genres, modes, characters and time. de Jong’s book has a speed and immediacy that carries you along on the page. The word \u003cem\u003emodern \u003c\/em\u003ecomes from the latin \u003cem\u003emodo \u003c\/em\u003emeaning ‘just now’ and one of the greatest etymological paradoxes in Art is the fact that nothing can be described as modern — modern architecture, modern literature, modern music — unless it is happening right now. The moment it stops being created, and has come into creation, it is already no longer modern. How rare it is, then, to read a book like Modern Love — one that feels like it is being written in the very moment that you are reading it.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003ew12xh18cm\u003cbr\u003e224 pages\u003cbr\u003ePaperback\u003c\/p\u003e","brand":"BACTERIA BOOKS","offers":[{"title":"Default Title","offer_id":43787490001113,"sku":"","price":40.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/2562\/6073\/products\/BACTERIABOOKS_ModernLove_ConstanceDeJong.jpg?v=1677131055"},{"product_id":"aladin-borioli-hives","title":"Hives By Aladin Borioli","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTechnologies have an ancestry too. Every new piece of techno-wizadry contains the ghost of its past. The modern beehive — a standardized white box — was patented in 1852. But what we gained in intellectual property and liberal progress, we lost in indigenous wisdom and creativity. \u003cem\u003eHives, 2400 BC - 1852 CE\u003c\/em\u003e grants us the pleasure of sifting through an archive of forgotten possibilities. What emerges is an account of what was, what could have been and what beekeeping could someday still become — so long as we stop bending the arc of history towards what’s expedient and profitable rather than what’s beautiful and truthful. Catalogued with minimal intervention, the photographs of \u003cem\u003eHives \u003c\/em\u003ehave been cut and pasted from various history books, encyclopaedias or newspaper articles, creating a meta-archive — or an archive of the ways in which we archive our archives.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublished by: RVB Books (Paris)\u003c\/span\u003e\u003cbr\u003ePages: 424\u003cbr\u003eSize: 11 x 15 cm, \u003cbr\u003eCover: softcover\u003c\/p\u003e","brand":"BACTERIA BOOKS","offers":[{"title":"Default Title","offer_id":43789000048857,"sku":"","price":54.0,"currency_code":"AUD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/2562\/6073\/products\/BACTERIABOOKS_HIVES_AladinBorioli.jpg?v=1677215246"},{"product_id":"poetry-is-growing-in-our-garden-anders-frederik-steen","title":"Poetry Is Growing in Our Garden: Anders Frederik Steen","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eOne of the cult figures in natural winemaking, Anders Frederik Steen started as a sommelier in his native Copenhagen—first at Noma, then opening Relæ and Manfreds—before starting as a winemaker in southern France in 2013. In the eight years since, Anders has filled notebooks: ruminations on what it means to understand (and misunderstand) wine, taste and pair it, leave the restaurant industry behind, where the balance lies between manual skill and abstract philosophy in a winemaker’s practice, and the technical minutiae of someone deep into his craft.\u003c\/p\u003e\n\u003cp\u003eThese are his notes on wine-making and wine-drinking, but they’re also the doubts and deviations of any learning process and the work that goes into forming any kind of practice. 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Embracing the circular logic of life and engineering systems, the Gaia theory states that Earth is a self-regulating complex system in which life interacts with and eventually becomes its own environment\u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eGaia describes a living Earth: a body in the form of a planet. For billions of years, life has created an environment conducive to its continuation, influencing the physical attributes of Earth on a planetary scale. An idea with precedents in natural science and philosophy for millennia, Gaia resonates with the ancient magico-religious understanding that all is one: as above, so below. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eFusing science, mathematics, philosophy, ecology and mythology, \u003c\/span\u003e\u003cspan\u003eGaia and Philosophy, \u003c\/span\u003e\u003cspan\u003ewith a new introduction by Dorion Sagan, challenges Western anthropocentrism to propose a symbiotic planet. In its striking philosophical conclusion, the revolutionary Gaia paradigm holds important implications not only for understanding life's past but for shaping its future. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003ePublished by Ignota Books\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eISBN: 9781838003968\u003cbr\u003eSize: 11cm x 16cm\u003cbr\u003eCover: Soft\u003cbr\u003ePages: 59\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLynn Margulis\u003c\/b\u003e\u003cspan\u003e (1938–2011) was an interdisciplinary evolutionary biologist, author and educator. She was the primary intellectual force in the 20th and early 21st century responsible for the acceptance of the role of symbiogenesis (of archaea and bacteria) played in the evolution of the eukaryotic cells (cells with nuclei) that became plants, animals, and fungi. She also, by underscoring the roles of gas-exchanging bacteria, helped turn James Lovelock's Gaia hypothesis that the reactive gases of Earth's atmosphere were physiologically regulated by life away from thermodynamic equilibrium, into a full on theory. Her books, often written in collaboration with her son Dorion Sagan, include\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eMicrocosmos: Four Billion Years of Evolution from Our Microbial Ancestors \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1987), \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eMystery Dance: On the Evolution of Human Sexuality\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(1991) and \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eSlanted Truths: Essays on Gaia, Symbiosis, and Evolution \u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e(1997).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWriter and ecological philosopher \u003c\/span\u003e\u003cb\u003eDorion Sagan\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eis author or coauthor of twenty-five books, translated into fifteen languages, including Danish, Japanese, Turkish, Catalan, and Basque, on topics ranging from evolution of the biosphere to the thermodynamics of ecosystems to programmed aging. He was called an “unmissable modern master” by \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eNew Scientist\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e; Nobel laureate chemist Roald Hoffman called his cowritten \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eInto the Cool\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e “fascinating,” and anthropologist Melvin Konner, writing in \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eThe New York Times\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e, said of his-coauthored \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eMicrocosmos\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e that “this admiring reader of Lewis Thomas, Carl Sagan and Stephen Jay Gould has seldom, if ever, seen such a luminous prose style in a work of this kind.” His current interests include poetry and experimental literature. With Carl Sagan and Lynn Margulis, his parents, he is coauthor of the entries for both ‘Life’ and ‘Extraterrestrial Life’ in the \u003c\/span\u003e\u003ci\u003e\u003cspan\u003eEncyclopedia Britannica\u003c\/span\u003e\u003c\/i\u003e\u003cspan\u003e. His current projects include poetry, a story collection, and a “metabiography” on his parents’ early romance and connected sciences.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eAnicka Yi\u003c\/b\u003e\u003cspan\u003e (born 1971 in Seoul, South Korea) is a conceptual artist whose work lies at the intersection of fragrance, cuisine and science. She is known for installations that engage the senses, especially the sense of smell, and for her collaborations with biologists and chemists. 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Upon the remarkable journey with Cage, one encounters assorted photographs, compositions, and contemplations; all in the very same unexpected fashion one encounters various flora and fungi species while mushroom foraging. Volume I encompasses Cage’s mycological-oriented Indeterminacy stories, Diary excerpts, and essays; and the complete transcript of Cage’s 1983 performance, \u003cem data-mce-fragment=\"1\"\u003eMUSHROOMS et Variationes\u003c\/em\u003e. Volume II offers the inaugural reproduction of Cage’s 1972 portfolio, \u003cem data-mce-fragment=\"1\"\u003eMushroom Book\u003c\/em\u003e; authored in collaboration with illustrator Lois Long and botanist Alexander H. Smith.\u003c\/p\u003e\n\u003cp class=\"\" style=\"white-space: pre-wrap;\" data-mce-fragment=\"1\" data-mce-style=\"white-space: pre-wrap;\"\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Cage\u003c\/strong\u003e (1912–92) was an American composer and music theorist. 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Her loneliness is assuaged by her beloved chosen family-her friends-and by the beauty of the natural world.\u003c\/p\u003e\n\u003cp class=\"\" data-mce-fragment=\"1\"\u003eSet during the cataclysmic bushfire season of 2019 and into the coronavirus pandemic and lockdown, sex work is the constant backdrop of the story as it moves between Sydney, Berlin, Orange and Bellingen. 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